Live at the Met, the Metropolitan Opera’s award-winning series of live, high definition (HD) opera transmissions to theaters around the world, continues its 2018-19 season at the 1891 Fredonia Opera House on Saturday at 12 noon.

Live at the Met, the Metropolitan Opera’s award-winning series of live, high definition (HD) opera transmissions to theaters around the world, continues its 2018-19 season at the 1891 Fredonia Opera House this Saturday at noon, with Richard Wagner’s classic masterpiece, ‘Die Walkure.’

In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance.  Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. 

The second opera in Wagner’s monumental Ring cycle, Die Walküre has long stood on its own as an evening of extraordinarily powerful theater. Part of this appeal lies in its focus on some of the Ring’s most interesting characters at decisive moments of their lives: Wotan, the leader of the gods; his wife, Fricka; his twin offspring, Siegmund and Sieglinde; and, above all, Wotan’s warrior daughter Brünnhilde. These characters and others follow their destinies to some of Wagner’s most remarkable music.

Throughout the Ring cycle, Wagner uses a system of musical themes, or leitmotifs, associated with characters, events, emotions, and things. The entire first act of Die Walkure depicts the experience of falling in love in one great arc, from initial attraction to consummation. It is one of the theater’s most convincing portrayals of the power of love – even if the lovers in question are, in fact, twin brother and sister. Act III opens with the famous “Ride of the Valkyries.” In a dramatic masterstroke, Wagner uses the sound of eight powerful female voices, punctuated by shrieking laughter, to depict the terrible thrill of combat. The opera ends with some of the most moving music ever composed, as Wotan intones his farewell to Brunnhilde.

Philippe Jordan conducts this production, which runs four hours, 55 minutes, with two intermissions. 

Live at the Met telecasts are now shown in more than 2,000 theaters in 75 countries, making the Met the only arts institution with an ongoing global art series of this scale. The Met was the first arts company to experiment with this type of broadcast, beginning on a modest scale in 2006 and growing every season since then, with more than 10 million tickets sold to date.

Met Opera stars serve as hosts for the series, conducting live interviews with cast members, crew and production teams, and introducing the popular behind-the-scenes features; altogether, the worldwide audience is given an unprecedented look at what goes into the staging of an opera at one of the world’s great houses.

Individual tickets to each of the operas in the season are $20, ($18 Opera House members, $10 students). A flexible subscription of eight tickets which can be used however you want – one at a time to eight different operas, all at once for eight people, or anything in between – is available for $142. Tickets may be purchased in person at the Opera House Box Office or by phone at 679-1891, Tuesday-Friday, 1-5 p.m. Tickets may be purchased online anytime at www.fredopera.org.

The 1891 Fredonia Opera House is a member-supported not-for-profit organization located in Village Hall in downtown Fredonia. For a complete schedule of events, visit www.fredopera.org.