A series of virtual experiences celebrating the lives and works of underrepresented composers will be showcased at the State University at Fredonia School of Music’s second annual Robert Jordan Piano Festival during April.

Named in the memory of Professor Emeritus Robert Jordan, who taught at the School of Music from 1980 to 2004, the festival will feature solo and collaborative piano music written by diverse/underrepresented composers, including women, African Americans and members of the LGTBQ community.

All festival events will be virtual and free to the public, but online registration is required to receive Zoom links. The registration link is docs.google.com/forms/d/e/1FAIpQLSeMjTpQFmbt0AnjHzgRp3y9kxcTxgmQW638LwZxfOuvfkX4Kw/viewform

“How can we, as classical musicians, reflect 2020-21 if we don’t play the music of those who have been left out and discriminated against? As classical musicians today, we have a responsibility to make more conscious choices about the repertoire we play, repertoire that reflects the fight for inclusion and basic human rights,” said Eliran Avni, SUNY Fredonia School of Music assistant professor. “In doing so, we start to become part of the solution, instead of remaining part of the problem. The classical music pantheon has to evolve to include these forgotten voices. This festival is a tiny little step in that direction.”

Special guest William Chapman Nyaho will be featured in the festival’s first session, “In and Out of Africa: Exploring Piano Music of Africa and its Diaspora,” on Monday, April 12, at 7 p.m. Dr. Nyaho, who teaches at Pacific Lutheran University, will discuss the diversity of styles of piano music, the influences of traditional musical forms, such as dance, jazz and blues, as well as Western European compositional practices on compositions in Africa and African diaspora.

Fr. Sean Duggan, SUNY Fredonia School of Music professor, said he considers Nyaho, who he knew when both were living in Louisiana, to be a wonderful pianist and musician who has been doing the musical world a great service by bringing together wonderful piano compositions by various underrepresented composers.

“His excellent five-volume anthology published by Oxford University Press, ‘Piano Music of Africa and the African Diaspora,’ is going to be a featured part of his presentation in our festival,” said Duggan, coordinator of the Piano Area.

Fredonia students, faculty and special guests will present a piece of their own choosing by an underrepresented composer that they are passionate about, with the goal of introducing a new repertoire to a wider audience, on Saturday, April 17, at 7 p.m. All presentations will be uploaded onto the School of Music’s YouTube library so they can be shared with the public.

Members of Fredonia’s Piano Area will present the festival’s Celebration Concert, a live streamed performance featuring music by underrepresented composers, on Thursday, April 22, at 8 p.m.

The Piano Area set out this semester to explore what it considers to be a vast and inspiring body of work written by these composers and find ways to make it more widely known among pianists and audiences alike. That exploration led to the creation through the Fredonia College Foundation of the Heid Fund, dedicated to purchasing scores and promoting performances of music by underrepresented composers and creating a special collection of these works in Fredonia’s Reed Library. A database of these works is being compiled to help students explore this repertoire.

The festival has received support from The Robert Jordan Piano Scholarship and Distinguished Lectureship Endowment established through the Fredonia College Foundation.